Dress commission, part 2

Well, my friend picked up her dress a few weeks ago, and while it's still not as fully trimmed as she (and I) would like, it looked great on her for her event.  To the left is a photo of the finished dress.  It's so dark that it's hard to see the trim details!  The main body of the dress is navy blue, and it's trimmed in black, with a rhinestone and black beaded clasp at the waist.  Pleated black satin ribbon topped with narrow black velvet ribbon trims the edge of the collar, sheer black flowers are placed in a line down the pleated and pointed satin panel on the front, which is also tipped with a black tassel, and 6 black braid-covered shank buttons follow the line of the skirt overlap, which is actually sewn closed underneath.  My friend also had some plain black velvet ribbon that will probably be used to edge the satin waistband and cuffs, but I really think that the dress needs more silver/rhinestone/bead accents to make it a little less dark!

The pattern also called for a neckline insert, but my friend forgot to bring the fabric for me to make it, so she ended up wearing the dress without the insert and it looked fine.  She was worried that the V-neckline would be too low without it but it wasn't, so that was a relief!

Mid-Victorian sheer muslin dress inspiration

ca. 1850 fashion plate.

So, I'm slowly but surely working on my sheer dress for the GBACG Mid-Victorian Summer Picnic at the Fallon House at the end of next month.  Originally, I wanted to make my dress more ca. 1848 because I like the simple lines of Gold Rush-era styling, and I like the fact that not as many people do 1840s and 1850s costume as 1860s.  Not that more people shouldn't make the earlier Victorian styles, but I like being a little "different" from the majority, and with the popularity of Civil War re-enacting in the area, 1860s styles are much more frequently made.

New costume plan: a sheer dress from the 1840s!

Image from Wikipedia.

Well, I've settled on the 1840s as one of my favorite fashion eras, and now that I've made a nice wool gown from 1848-ish, I need a sheer gown for summer, right?  Of course.  My costume guild's upcoming Victorian Picnic in the garden of the Fallon House in San Jose gives me the perfect excuse reason to make what the Victorians called a "clear muslin gown".

Displaying my grandma's wedding dress.

The dress on display at History Park. 
Photo: Elizabeth Urbach.

I was allowed to put my grandma's wedding dress on display this weekend for a special event at the museum where I work.  In preparation for the event, I had to design the exhibit, arrange for items like a dress form and other display props,  and do my own set up and take down.  I also discovered that the gown and veil needed some TLC. before it would survive the display!  Even though they were only made in 1945 (and there are many things from the '40s that are in such good condition they can still be used), the gown and veil were literally falling apart in places.  I researched what it would take to restore them and found that I had neither the tools nor the money to do so properly ($80 per yard museum-quality silk crepeline for a support lining, anyone?).  The rayon satin of the gown, and the nylon (or rayon?) net of the veil were badly ripped in places, and the gown fabric was literally breaking off into bits at the edges of the torn areas.  The best I could do was to baste strips of well-washed cotton muslin from seam to seam across the torn areas, to take pressure off of the fabric, and then baste the edges of the tears to the muslin.

Ca. 1945 wedding cake topper made of icing sugar.
Photo: Elizabeth Urbach.