Historic Cooking: Fourth of July Pudding from 1916.

Fourth of July Pudding.  Photo: Liz Raven.

The Redone Challenge: Today in History (June 29-July 12, 2014) Make a dish based on or inspired by a momentous occasion that took place on the day you made it. Get creative - you would be surprised by all the interesting things that happened every single day!

The Recipe:

A Fourth of July Luncheon. To be served buffet style or on the porch.  By Cora Farmer Perkins.

FOURTH OF JULY PUDDING: Pick over, wash and hull one quart box of strawberries.  Sprinkle with one cupful of granulated sugar, cover, and let stand two hours.  Mash, squeeze through a double thickness of cheesecloth, and add one cupful of cold water, and lemon juice to taste.  Turn mixture into a brick mold.  Beat one pint of heavy cream until stiff and add one-half cupful of powdered sugar, one-half tablespoonful of vanilla, a few grains of salt, and two thirds of a cupful of rolled dried macaroons.  Pour cream mixture over fruit mixture to overflow mold.  Cover with buttered paper (buttered side up) and adjust cover, when mixture should be forced down sides of mold.  Pack in rock salt and finely crushed ice, using equal parts, and let stand three hours.

            Remove to chilled serving dish, garnish with selected strawberries, and cut in slices for serving.

--from _Woman’s Home Companion_, July 1916. 

The Date/Year and Region: the United States, 1916. 

Dress commission, part 2

Well, my friend picked up her dress a few weeks ago, and while it's still not as fully trimmed as she (and I) would like, it looked great on her for her event.  To the left is a photo of the finished dress.  It's so dark that it's hard to see the trim details!  The main body of the dress is navy blue, and it's trimmed in black, with a rhinestone and black beaded clasp at the waist.  Pleated black satin ribbon topped with narrow black velvet ribbon trims the edge of the collar, sheer black flowers are placed in a line down the pleated and pointed satin panel on the front, which is also tipped with a black tassel, and 6 black braid-covered shank buttons follow the line of the skirt overlap, which is actually sewn closed underneath.  My friend also had some plain black velvet ribbon that will probably be used to edge the satin waistband and cuffs, but I really think that the dress needs more silver/rhinestone/bead accents to make it a little less dark!

The pattern also called for a neckline insert, but my friend forgot to bring the fabric for me to make it, so she ended up wearing the dress without the insert and it looked fine.  She was worried that the V-neckline would be too low without it but it wasn't, so that was a relief!

A dress commission!

Hint of History's #101 pattern
with trim options

Occasionally, I make period costumes for people, and I'm working on a dress for a friend this week.  It's #101 Shawl Collar Dress from the 1910s Collection by Hint of History.  To the left is a picture of the pattern, with some trim options drawn in by a friend of mine.

photo: Elizabeth Urbach

I'm making the version in the bottom of the illustration; the original pattern is a one-piece wrap dress with shawl collar and modesty insert (not in the photo!), but I've added extra panels to the bottom of the bodice to make a shorter over-skirt and give the effect of a separate coat and skirt.  I've also added the long sash panel to the front, which will have a tassel at the end.  I'm just tweaking the fit of the sleeves and shoulders (so hard to fit!) and then I'll add the trim.  There's some  plain gray velvet ribbon, plain black velvet ribbon, black velvet ribbon edged with pleated black satin, and some 3-dimensional black tulle roses.  There is also a great black and silver rhinestone and bead clasp to close the jacket at the waist.  I think I'll put the black velvet with pleated trim around the collar, and a tulle rose on either side near the face.  The clasp will go at the high waist, and the hem of the coat will get the plain black velvet ribbon.  The hanging "sash" will have the tassel at the end point, as well as some of the tulle roses on it.  A photo of the almost-completed dress is on the right. It's a lot of navy blue!  It will be very dark, trimmed entirely in black, with only the white insert at the neckline to draw the attention to my friend's face.  But she picked the fabric and trim, and she likes dark colors, so I hope she'll like it! 

'Teens costume for late-summer!

Getting ready for two local events coming up: a croquet picnic with the South Bay Ladies' Tea Guild, and the Antique Auto Show at History Park, both in September. A group that I volunteer with, Portraits of the Past, attends the Antique Auto Show in costume to provide ambiance, and coordinates a costume contest there each year. Usually I wear 1920s frocks to the Auto Show, because they're easy to wear and cute as all get out, but this year I think I'll do mid teens, say around 1916 or so. I have a dress, but I need a better hat, so here is an image from my antique print collection that I am thinking about using:
antique fashion print ca. 1913.
I think I have a modern sun hat in a similar shape that I can use, and I have a lovely vintage lace scarf that I will probably drape over the brim like some of the examples in the print. My dress is a sheer white with a woven windowpane design, and I wear it with a wide blue ribbon sash that I found in my grandmother's sewing box (which I inherited) after her death.

Here are some other Edwardian, 'teens and 20s costume images for my inspiration and your enjoyment. They include various members of Portraits of the Past at past Antique Auto Shows as well as the historic fashion shows that we perform in each month.

catalog image ca. 1915. From the Costumer's Manifesto.

Sears catalog image ca. 1917. From Costumer's Manifesto.



















At the Harris-Lass House, June 2009.

photo ca. 1918. From the Sense & Sensibility website.

at the Antique Auto Show, September 2006.