The Ladies' Tea Guild
Showing posts with label Elizabethan. Show all posts
Showing posts with label Elizabethan. Show all posts

Tuesday, May 16, 2017

Historic Cooking: Capon with Oranges, 1596.

Capon (Chicken) with Oranges.  Photo: Elizabeth Urbach
In the History of Royal Food and Feasting course last week, we took a look at the 16th century, and English aristocratic and royal food of Elizabeth I's court.  I was able to complete one of the suggested recipes: Capon with Oranges.  Here is the original recipe:

Take your capon and set him on the fire as before with marrow bones and mutton, and when you have skimmed the pot well, put thereto the value of a farthing loaf, and let it boil till it be half boiled. Then take two or three ladlesful of the same broth and put it into an earthen pot, with a pint of the same wine aforesaid. Peel six or eight oranges and slice them thin, and put them into the same broth with four pennyworth in sugar or more, and a handful of parsley, thyme and rosemary, together tied. Season it with whole mace, clove, and sticks of cinnamon, with two nutmegs beaten small. And so serve it.
-- Thomas Dawson, Good Housewife’s Jewel (1596).

Sunday, January 19, 2014

Historical Sew Fortnightly challenge #1 for 2014

Production photo of female
Hobbit for inspiration.
Challenge #1: Make Do And Mend.  So, I thought I would actually finish one of the challenges within a reasonable time period from its due date ... Besides the replacing of the waist drawstring on my hoop petticoat (detailed in the last post), I also spent some time arranging some items to make my 1580s Elizabethan working-woman costume into something Hobbity for the GBACG fashion show on Saturday.  I put my hair in curlers and asked my friend to lend me her pointy ears and everything!  And then (while at the fashion show venue) ... I read the fashion show script that the narrator would be reading, and had to "make do" to change it back to (relative) historical accuracy!  


Wednesday, October 9, 2013

New costume finished!

Trevelyan's Miscellany, 1602.
Well, it's finished *for now*, anyways!  My oldest nephew has been showing signs of an interest in history for the past few years, and has really gotten into Medieval, Renaissance, and WW2 history lately, exactly as my brother did when he was the same age.  Just as I did for my brother, I intend to encourage this interest in any way that I can.  I gave my brother a lot of history-related books and magazines when he was younger, and he's started passing them on to my nephew, so I have to take a slightly different tack!  This year my nephew turned 10, and asked my brother to take him to the local Renaissance Faire for his birthday.  My brother and I usually go together, and in costume (of course!).  I happened to overhear my brother agree to take my nephew to Faire, and I said "We usually go together, and we dress up, so if you're coming with us, I should make you a costume."  I expected my nephew to say "Well, I don't know ..." but he immediately said "YES!"  Good thing I hadn't bought him a birthday present yet: his costume would be his present from me!

Tuesday, August 9, 2011

Re-creating Pre-Raphaelite costume.

"Miranda: The Tempest"
by Waterhouse
According to Consuelo Rockliff-Stein, one of the founders of The Ladies’ Tea and Rhetoric Society, “Artistic gowns ... were never intended to be exact replicas of the clothing worn by models in Pre-Raphaelite paintings, nor were they intended to replicate clothing of the classical and medieval eras. These gowns borrowed design elements from all these sources, but were distinctly Victorian in overall effect.”  This led to vaguely historic-looking clothing, mixing elements from totally different periods in the same garment.  “Medieval”
"Venetian Ladies Listen To The Seranade"
by Frank C. Cowper
sleeves, “Elizabethan” ruffs and “Grecian” drapery could be found on the same dress.  The Watteau-back dress, a princess-line dress that had a fitted bodicein front, but a large section of loosely-pleated fabric from the shoulders to the floor in back, was inspired by 18th century French sacques, and was one way that Pre-Raphaelite ideas were absorbed into mainstream fashion.  It became a favorite look for the “tea gown”, which became popular in the 1880s as informal daytime social dress. 
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups
That cheer but not inebriate, wait on each,
So let us welcome peaceful evening in.
-- William Cowper (1731-1800)
"The Winter Evening" (Book Four), _The Task_ (1784)